Showing posts with label White Hills. Show all posts
Showing posts with label White Hills. Show all posts

Monday, August 12, 2013

White Hills turns onslaught into serenity

I liked the new White Hills So You Are...So You'll Be a lot, ending up my Dusted review like this...

he trick of So You Are… is not so much to make quiet interesting, but to turn an onslaught into serenity, to launch multi-pronged, multi-textured attacks at the senses which seem, even as they deafen, to hint at a meditation. All of what you might have liked about White Hills is here — the Hawkwind-ish guitar excesses, the free-form Kraut drones that go on and on, a la Wooden Shjips or Bardo Pond. It’s just that this time, all the cotton batting has been stripped off, the fuzz removed to reveal structure and complexity underneath.

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We are leaving early tomorrow for Chicago, so I'm not sure how much I'll be blogging this week.

Tuesday, July 17, 2012

Koozies, Woodies and Beer

Sounds dirty, doesn't it? Actually it's a compilation put together by Brah Records, an imprint of Jagjaguwar run by the Oneida guys. They maintain that "koozies" are those foam wraps that keep beer cold, "woodies" are a kind of organ (the musical kind) and beer is...well, you know what beer is, don't you? Anyway, my review runs today at Dusted.

Various Artists
Koozies, Woodies & Beers: A Brah/Ocropolis Benefit Compilation for Japan Relief
Brah

Koozies, Woodies & Beers documents the restless, genre-slipping scene that grew up around NYC art rockers in Oneida, gathering 19 tracks from bands closely (and loosely) associated with Oneida. All were recorded in the now defunct Ocropolis (the second of Oneida’s home-built studios to be squeezed out by gentrification), each band getting free run of the studio for four hours of recording and four hours of mixing. Like the all-day psychedelic freak-out which closed out Oneida’s tenure at the Monster Island facility, this compilation tests listeners’ willingness to jump boundaries, their ability to consider music and noise as a continuum (or maybe the same thing) and, most of all, their endurance. But it also demonstrates the reach, the relentless inquiry and the fuck-it-all self-actualization of the community that grew up around Oneida in the mid- to late-2000s.

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Can't find any youtube or soundcloud or downloads, sorry!