Here's my review of Fain, published in today's Dusted.
Since the beginning, Wolf People has been dogged by Jethro Tull references, a comparison that was easier on the last album, Steeple, when the band still had a flute player. (Indeed “Tiny Circles,” the single from that record, sounds like Ian Anderson wandered into Yes’s “Roundabout” sessions.) It’s still not an invalid reference. There is certainly something about the wiry guitar licks, the modal, folky melodies that ties Wolf People not just to Tull, but to other Celt-drenched British rock bands – at the softer end Fairport Convention, at the louder one, Led Zeppelin.
Still, it’s interesting how these comparisons fall apart on closer inspection. Spend 10 minutes watching late 1970s Tull videos and you realize that Wolf People is a whole different endeavor, more complicated, less theatric, built on twining dual guitar lines, intricate, jazz-leaning rhythms and, yes, the half-stepped melodies of misty Britain.
This video was the one that gave me a little bit of a Tortoise vibe...