There's a new record by the Danish quintet Slaraffenland which seems to be slipping, quite undeservedly, under the radar. It's called We're on Your Side and it continues, at least in my view, the more melodic and vocally driven elements of Sunshine while retaining Private Cinema open-ended, multi-instrumented, quasi-jazz feel. It's on the really quite wonderful Home Tapes label, which is moving up in the small-but-beautiful category alongside some of my other favorites (Locust Music, Strange Attractors, Language of Stone).
Check out "Meet & Greet"
Read my review at Blurt here
Showing posts with label Slaraffenland. Show all posts
Showing posts with label Slaraffenland. Show all posts
Monday, October 5, 2009
Thursday, January 15, 2009
Skeletons, Slaraffenland and Chris Brokaw (again) at Blurt
I’ve got three reviews up this week at Blurt, all pretty good records.
First Slaraffenland “five guys, from Denmark and Sweden, coax a warm, communal jazz-tinged vibe. They play a near orchestra’s worth of winds, percussion, brass and guitars, all with laid-back skill.”
“Love Potion”
Then Skeletons with their “dense, syncopated percussion, a body-moving groove, abstract, not-very-linear lyrics, and a deep, compelling strangeness.”
http://www.blurt-online.com/reviews/view/749/
“Things”
And finally Chris Brokaw, whose review also turned up in the digital almost-like-print edition, but it’s online now. I called it “a brief but wonderful exploration of the acoustic and electric, blues-traditional and experimental byways he and his guitar have travelled.”
His MySpace
First Slaraffenland “five guys, from Denmark and Sweden, coax a warm, communal jazz-tinged vibe. They play a near orchestra’s worth of winds, percussion, brass and guitars, all with laid-back skill.”
“Love Potion”
Then Skeletons with their “dense, syncopated percussion, a body-moving groove, abstract, not-very-linear lyrics, and a deep, compelling strangeness.”
http://www.blurt-online.com/reviews/view/749/
“Things”
And finally Chris Brokaw, whose review also turned up in the digital almost-like-print edition, but it’s online now. I called it “a brief but wonderful exploration of the acoustic and electric, blues-traditional and experimental byways he and his guitar have travelled.”
His MySpace
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