In which I make a somewhat repetitive case that California X is not Dinosaur Jr., and that's okay.
California X
California X
Don Giovanni
There’s a steady chug running through California X’s debut, a hard riffing rhythm that cuts through the asbestos-splintered, diesel-caked fug of pedal distortion. Before I knew the front man’s name was Lemmy Gurtowsky, I assumed that the “Lemmy’s World” song was a nod to Motörhead, and it could be, running like a rust-bucket that’s had serious engine-work, so that it revs and roars with mechanical power all out of proportion with its rough exterior. You can extrapolate a connection to Dinosaur Jr. from geography (California X is from Amherst, Mass.), guitar tone (epic and fuzzy), a producer (Justin Pizzoferrato) and general mess and ferment (and plenty of writers have). But, really, this racket is too relentlessly mobile to resemble Dinosaur. Where Mascis spins out mandala-ish guitar solos that revolve in endless circular motions, Gurtowsky cranks a head-banger riff. California X is more like the Modey Lemon or the Cherry Valence than Dinosaur, tripped out in a purposeful, palm-muted, gut-punching, 1970s-classic-hard-rock sort of way.
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Showing posts with label Dinosaur Jr.. Show all posts
Showing posts with label Dinosaur Jr.. Show all posts
Friday, April 19, 2013
Monday, July 6, 2009
Stevie Nicks unexpectedly reappears in my life
Okay, I'll admit it. I wore out at least one cassette copy of the Stevie Nicks solo album during college...never bought into her fashion aesthetic, but I really liked "Leather & Lace." But, really, I was pretty sure I'd put all that behind me years ago, lives ago, along with Tommy Tu-Tone ("for the price of a dime, I can always turn to you") and (eek, embarrassing) Phil Collins. Then last week Madame shawls and cowboy boots made a surprise return visit to my music-listening life.
First, I started listening to the Dry Spells, Too Soon for Flowers, a really wonderful acid folk debut from a band made up mostly of the female contingent from Citay. They end with a cover...it's "Rhiannon." Which isn't one of the free mp3 giveaways, but here are some others:
"Lost Daughter"
"Batwood"
And also, I began to consider Lightning Dust's Infinite Light, and it occured to me that the only real reference point for Amber Wells' vibrato warped contralto was, you guessed it, Stevie Nicks.
"I Knew"
"Never Seen"
I'm reviewing both records for Dusted, though nothing will go up for a while.
In more legitimate news, I am really, really liking the new Dinosaur Jr., my kitchen recorde of the moment, nothing new here, but who plays else plays the guitar like that?
Also, I'm probably going to see Bowerbirds/Megafaun on Saturday, if I can get away. My son's in "As You Like It" all weekend long, but I think we're going to see the Friday show, not Saturday. Mission of Burma is playing a very low-key show in Northampton the night before, which I can't get to, but hope it means new material.
First, I started listening to the Dry Spells, Too Soon for Flowers, a really wonderful acid folk debut from a band made up mostly of the female contingent from Citay. They end with a cover...it's "Rhiannon." Which isn't one of the free mp3 giveaways, but here are some others:
"Lost Daughter"
"Batwood"
And also, I began to consider Lightning Dust's Infinite Light, and it occured to me that the only real reference point for Amber Wells' vibrato warped contralto was, you guessed it, Stevie Nicks.
"I Knew"
"Never Seen"
I'm reviewing both records for Dusted, though nothing will go up for a while.
In more legitimate news, I am really, really liking the new Dinosaur Jr., my kitchen recorde of the moment, nothing new here, but who plays else plays the guitar like that?
Also, I'm probably going to see Bowerbirds/Megafaun on Saturday, if I can get away. My son's in "As You Like It" all weekend long, but I think we're going to see the Friday show, not Saturday. Mission of Burma is playing a very low-key show in Northampton the night before, which I can't get to, but hope it means new material.
Friday, March 20, 2009
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